28 August 2010

Prayer Beads - An Introduciton

I have always loved prayer beads. Growing up Roman Catholic, I could never wait to get my hands on a rosary. There was just something about the beads that absolutely entranced me. It gave the prayers a physical form—I could touch them, see them, and actually interact with them. Though a lot of Catholic school children complained about having to engage in this Marian devotion, I was always happy to meditate with these sacred beads. In fact, I was so happy that from time to time I would pray a monastic rosary—comprised of over 150 prayers! I was zealous, and perhaps a bit too zealous, about my relationship with my rosary. Nevertheless, even when I began to turn away from Roman Catholicism, my rosary gave me a sense of comfort. Yet, as I grew older and more aware of my spiritual needs, I eventually abandoned this last vestige of Catholic practice in hopes of embracing a new path: Paganism.

As any Pagan convert can tell you, upon first entering Pagandom you are bombarded with new ideas, new ways of thinking, and new experiences. It was no different for me. Amidst the shiny objects, the pomp-and-circumstance of fresh rituals, and the promise of something radically different, I quickly forgot my rosary-love. There was far too much fun in the future for me to be concerned with the past. It was not until I got off my initial this-is-awesome-because-it-is-new high and found my niche within the Pagan religious spectrum that I actually began to miss my rosary.

By this time, I was in my last years at a Catholic high school. As always the rosary was a regular part of our school-wide devotions, and I found myself growing envious of my fellow classmates. I wanted to pray the rosary. I was jealous that they could touch, that they could somehow interact with these abstract ideas that were so central to their religion. I wanted that experience again. The fact that the rosary was portable did not help either. If I wanted a physical reminder of my beliefs I had to trudge up to my home altar and take inventory. Whereas my classmates could take their spiritual reminder with them, I had to go to mine. I longed for something as powerful and as portable as my estranged rosary. But where does a Gaelic Pagan turn in a situation like this? Since there was no mention of prayer beads in the lore, I decided that I had to be innovated.

I had seen mala (also called japa and japa mala) beads a few times, and they looked pretty cool. So I set out and bought myself a set of sandalwood mala beads, hoping that they would cure my craving. They were beautifully simple, without design or embellishment, and they smelt absolutely amazing. I played around with them for a few months—reciting mantra again and again. While the beads definitely helped me reach a new spiritual depth, they just did not fill the void left by the rosary. There was something not right, something missing. Yet they were all I had, and I clung to them for what it was worth.

It was not until I moved to Madison and joined up with a new Pagan community that I got a dose of insight. A local Pagan temple with which I had become involved actually had prayer beads! I was overjoyed! Besides being great to look at, they were also specifically designed for Pagans! However, while this was closer to fulfilling my desire, it was not quite a perfect fit. The beads were designed for the “pop-Pagan” community. There were beads for the Elements, for the Goddess, etc. Having settled as a Gaelic Polytheist, these prayers did not resonate with me. Still, it was a step in the right direction. After all, if a Pagan temple could create its own strand of prayer beads, then dammit, so could I!

I got to work almost immediately. What did I want to represent in these beads? Obviously I wanted to hit the essential aspects of my path, but what exactly were these? How would the beads function together? What kind of pattern would they form? These and hundreds of other questions flooded my mind as I endeavored to crank out a design. Then, years after leaving behind my beloved rosary and trying to fill the void, I had the blueprint for my very own Pagan “rosary.” Finally I would have a tangible and portable expression of my religious beliefs. Finally my vicious envy could subside. In a few months and after couple trips to the bead store, I had my prayer beads.

I went with a simple, yet meaningful design. It begins by honoring Life, the force of creation. Then its prayers spiral outward, giving honor to the external elements of my path: the realms, the tribe, the land, the Gods, the ancestors. Having achieved a climax with Sovereignty, the prayers spiral inward, reminding me of the internal elements: my values, my virtues, myself and its components. And, as it began honoring Life, the beads end by honoring Death and destruction. Yet both Life and Death are honored on the same bead, forever reminding that Life and Death, creation and destruction are one-and-the-same.

After years of waiting, I have my prayer beads, and I cannot believe that I waited so long for them. I treasure them dearly, and at the start of every day, I pray them—remembering my path and myself. Through the beads I am able to grasp the breadth and the mystery of my path; I am able to touch something so abstract but so dear to me. In many ways, my prayer beads are not just a tool but a friend, a projection of my purest self. In many ways, they are just like the rosary that I left behind long ago.
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What is the point of me telling all of this to you, my dear reader? Not hard to say. This blog is about Gaelic Paganism, specifically Gaelic Paganism from my understanding of it. My prayer beads embody my most important religious concepts. To accurately understand my path of Gaelic Polytheism, then, I feel that you must understand the most fundamental concepts represented in these beads.

Consider this an introduction into my path: Over the next few weeks, I will be posting articles that go into greater depth as to what each of my prayer beads signifies. It is my hope that this lends you not only a greater understanding of my path but also a greater understanding of Gaelic Paganism in general. While I certainly do not claim that my views are the only “correct,” nor even the “most correct” ones, I know that they have their counterparts amongst other Gaelic Pagans.

And what do you know? Perhaps, just perhaps, this excursion will get you to question and to better appreciate some of your own beliefs.

Sláinte,
Bryce

Photobucket
A picture of my prayer beads

10 January 2010

A Reflection On Service

Last night I hosted a going away party for one of my very close friends. He will be leaving in two days for basic training, and before the year is up, he will most likely be deployed to Iraq. Throwing this party made me reflect a lot on what it means to serve others. Yes, it was great to spend the night with some of my friends, but with all the cleaning, setup, baking, and take-down, it was also a lot of work. By the end of the night my head hurt, my feet ached, and I had to hold my eyes open with toothpicks. Amazingly, though, I went to bed feeling better than I had in a long time; although you never would have been able to guess it by looking at me. In my opinion, this was an act of real service--I did something draining and uncomfortable for the benefit of someone else.

Real service does not make us feel great. In fact, it usually leaves us feeling (and looking) like crap. It puts all of our abilities to the test, and it slowly weans us into reality. Yet, no matter how much it hurts, there is a certain satisfaction in helping others. Something deep inside you warms and crawls to life--your hearth fires are stoked. It all sounds so fluffy, but there is a certain fluffiness about it. It is that deep sense of hope. You stop and wonder, "Wow. I just did that, and if I can, anyone can."

We have to share this world. Why not make it easier and better for everyone? All it takes is one person, one more snowflake to start the avalanche. What have you done today? What can you still do?

07 January 2010

Why I Like The Pentacle

I have often described myself as a Celtic Reconstructionist, or more accurately, an Irish Recreationist. I find great pleasure and satisfaction in connecting with the Divine through the pre-Christian spirituality of Ireland. So unlike many “typical” Pagans, I utilize no concept of Goddess-and-God, triple Divinity, or Elementals. Yet there is one piece of the Pagan “mainstream” with which I cannot do away: the pentacle. As cliché as it may be, I cannot ignore the beauty that I find in this so-called “official” symbol of Paganism. Though I have argued that using this Neo-Pythagorean symbol in my practice makes no sense, I am gradually finding that the pentacle has a lot of deep meanings for me and that, like it or not, its use actually does make sense.


One of the most common explanations of the pentacle that I have come across is that it represents the five Elements: Earth, Air, Fire, Water, and Aether. However, since they are of Greek origin, I do not employ these elements in my practice. Even when I used to work with these elements, I did so superficially and never felt any real kinship with them. It would seem that using the pentacle in this respect, then, would be meaningless for me. Indeed, that is what I thought, but I have found the truth to be quite the opposite.


Though on the surface this explanation of the pentacle links it with the five classical elements, there is a deeper meaning in this explanation—a meaning that stretches far beyond the individual facets of the Elements. In much metaphysical thought, as well as in classical scientific and philosophic thought, the five Elements combine to make everything in the universe. It is by means of the infinite combinations of Earth, Air, Fire, Water, and Aether that all things take on form and thus life. So what does it mean to describe the pentacle in terms of the Elements? I would argue that to do so is not to describe the pentacle as a representation of the Elements but rather to explain it as a symbol of the whole. This is what I found to be one of the deeper meanings of the pentacle, and this symbolism is in no way opposed to the Irish system.


In Irish and other Celtic mythologies, the whole is often represented by the number five. Therefore, in Ireland, we have the five invasions, the five great roads, the five great hostels, the five provinces, etc.[1] With this in mind the pentacle, being a symbol of entirety and consisting of five points, can be effectively incorporated into the Irish system. Rather than being an element-out-of-place, the pentacle becomes a materialized understanding of a concept that is so integral to Irish spirituality: the functional whole.


Another way I tend to view the pentacle is as the combination of two symbols: the sword and the cauldron. The sword is made up of the two lower points and the upper point, so that the resulting image looks like a blade. The cauldron is made of the two side points and the lower middle point. This understanding of the pentacle strikes me in many ways. First off it reminds me of the great Undry of the Dagda, a sign which suggests that I will be provided with whatever I truly need in life. On top of this, the sword rises from the cauldron, reminding me that, while I will have what I need, this does not mean that I will not have to struggle and fight for it—it is the age-old rule that the Gods will only help those who help themselves.


A second interpretation of this sword-cauldron symbolism that I sometimes employ is the transcendence-cum-immanence of the Divine. The cauldron, as the provider of earthly needs, represents the immanence of the Gods. They work with us here in this world, and they are evidenced by various aspects of Creation. For example, Bóann is evidenced by the Boyne, which becomes a physical manifestation of her. Likewise, Brighid becomes corporeal in the hearth of the home. These are the Gods in their immanence; this is the cauldron.


The sword, on the other hand, governs the laws of life and death, laws which are not chosen in this plane of existence. In this way it points (quite literally) to the transcendence of the Divine. Though the Gods may manifest themselves (or allow themselves to be manifested) in the physical this is only a part of them. The Divine is so much more than what we come to know and interact with while alive. Though infiltrating the physical, it ultimately reaches beyond mundane confines.


In this sword transcendence-cum­-immanence understanding of the pentacle, the symbol again stands for the whole. Immanent and transcendent, the Divine pervades all.


So those are some of my thoughts on the symbolism of the pentacle. Although it is not a native Irish symbol, I still believe that, under the right context, it is completely compatible with Irish spirituality. As a representation of the whole, I have adopted it as a symbol of the Sovereign Goddess, the Great Spirit which permeates Creation. She is the All, and I cannot imagine a better illustration of her power than the pentacle. And though I once tried to discard the symbol of the pentacle from my practice, I now feel that its message is so intertwined into who I am that to do away with it would be to give up a piece of myself.



[1] Rees, Alwyn, and Brinley Rees. Celtic Heritage: Ancient Tradition in Ireland and Wales. Bristol: Western Printing Services LTD, 1961. Print. Page 188

30 December 2009

Caillich - A Winter Poem

Cailleach, you spread your mantle across
The many winds. More precious than fine
Crystal. More deadly than shattered glass.

The chill of night enraptures the world.
The howling wind ringing—your breath. What
Destruction have you sown, O Dark One?

A cruel jest is it, the life that
Turns to death; blackened by rage so fierce.
Yet, how is it that I may fight you?

For the death is not without the birth.
The morbid blanket need precurse the
Multi-colored mosaic of life.

So welcome, foreboding existence!
Hail, frigged slumber! I embrace you!
Scythe of the spirit, I am your stalk!

Cailleach, you spread your mantle on us.